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In a video posted by Pennsylvania’s Mansfield University in May, Brooks said the movie is “World War Z” “in name only.” Pitt’s U.N. He’s previously distanced himself from the movie. The use of such regionally sensitive imagery will likely be hotly debated when it opens in Israel on July 11.īrooks, who’s the son of Mel Brooks and Anne Bancroft, declined to be interviewed for this article.
#World war z book tv#
In the film, the Jerusalem scene (shot in Malta) is the film’s grandest set piece (seen widely in TV ads) where zombies mount the wall like ants.
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The haven is spoiled not by zombies, but by civil war, which breaks out when Israel’s ultra-orthodox rebel. In the book, uninfected Jews and Palestinians are quarantined behind a huge wall in Jerusalem.
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We had to walk a line between using the film as a Trojan horse for some of that, but these things have to be fun. “It got too dense,” Pitt, also a producer, said in an interview last week. Whereas the book deals centrally with geopolitical allegory, pieced together from multiple perspectives, the film is limited to the narrow viewpoint of one United Nations inspector (Pitt) trying to make sense of the catastrophe as its happening. But though Pitt was initially attracted to “World War Z” for its provocative hypothesizing of various nations’ handling of a worldwide epidemic, the need for a more linear narrative soon took precedence.Īfter many rewrites over the course of years, much of the book was whittled away, eventually producing a film (the ending to which was reshot) with only cursory relation to the novel. Pitt’s production company, Plan B, pursued the rights aggressively, winning them for $1 million over competing bidder Leonardo DiCaprio. The film is loosely based on Max Brooks’ 2006 novel “World War Z: An Oral History of the Zombie War.” Modeled on Studs Terkel’s Pulitzer Prize-winning “The Good War: An Oral History of World War II,” Brooks’ book is a collection of dispatches from around the globe years after a zombie outbreak. But here it turns into an instrument of peace?”Īny murkiness is partly the result of the tortured, rewritten path to movie theaters taken by “World War Z,” which opened last weekend in North America with a higher than expected $66.4 million at the box office and plans for a sequel. The Los Angeles Times’ Steven Zeitchik wrote: “In the context of the Israeli-Palestinian conflict, a wall is a heavily fraught symbol. Will foreign audiences, or potential audiences, interpret the film’s message to be that the only thing wrong with the existing wall is that it’s not sealed tight enough?” “North Koreans still have a few teeth in their heads, but Israel has already built a wall. “Will (foreign moviegoers) conclude that the filmmakers (are) saying that Kim Jong-un and Benjamin Netanyahu are the wisest leaders in the world, except that Kim is a little bit wiser, because he’s uncontaminated by humanitarian sentiments?” wrote Hendrik Hertzberg for The New Yorker. Any whiff of foreign policy contemplation is snuffed out by the stampeding undead, who seem about as interested in politics as the average summer moviegoer.īut in their wake, some have questioned just what, exactly, “World War Z,” is saying about Israel. There’s little time for rumination on such questions in “World War Z” before the next swarm of zombies attacks.